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My first book : https://www.hatjecantz.de/entangle-7394-1.html
The book is connected with the exhibition Entangle: Physics and the Artistic Imagination which was at Bildmuseet, Umea, Sweden early this year.
The book contains essays on Entanglement by Carlo Rovelli, Surrealism and Physics by art historian Gavin Parkinson, Physics and Imagination by science writer Philip Ball, Physics and Culture by the Director of FACT Liverpool, Nicola Triscott, and one by me about the Entanglement of contemporary art and physics.
The book features the work shown in the Bilidmuseet exhibition of 14 international artists -including Iris van Herpen, Julian Charriere, Goshka Macuga, Ryoji Ikeda, Sarah Sze, Julius von Bismarck, Davide Quayola, Jorinde Voigt, Carey Young, Rafael Lozano Hemmer, Keith Tyson, Solveig Settemsdal, William Kentridge, and the architect Sou Fujimoto.
The book includes a series of dyptychs - with six different artists and physicists separately reflecting on different phenomena - Matter, Light, Time, Space, Entropy, Gravity. It's in the gap between different ways of looking at the world as well as the connections that the imagination grows.
This June one of the world's underwater artists, Emma Critchley, began her 2 month Earth Water Sky residency which I created for Science Gallery Venice, generously funded by Fondation Didier et Martine Primat. She is working with one of Italy's leading environmental scientists, Professor Carlo Barbante who is based at Ca Foscari University and is one of the leaders of the Ice Memory Project - an extraordinary project to create a library of non polar ice cores which record the changes in climate and which will be stored in Antarctica.
The bubbles of gas stored in the cores give clues as to how the climate has changed. Tiny particles organic materials stored in the ice core can give clues also to people's movements across time and space - across continents and the centuries - prooving also that migration and movement are facts of life.
Emma's residency continues in September and October. At the end of the residency she will bid for a 26,000 Euro production grant to make an art work inspired by her work with Professor Barbante. It will be exhibited during the Venice Biennale.
The biggest joy of working on projects is collaborating with the artists, scientists, cultural institutions and individuals who work with you to make things happen. Without that, nothing happens.
Julian Calo was my first formal coordinator at Arts at Cern for the last 18 months of my work there. I won funding for him after 3 and half years of establishing the Arts at Cern programme. As a present, I gave him the opportunity for him to see Entangle: Physics and the Artistic Imagination at Bildmuseet, to say thank you. In return he made me this film, documenting the exhibition for me.
Today Julian runs with his partner Margot a sustainable lifestyle and fashion blog, called Bloomers. Thank you very much Julian for the joy and hardwork you did with me in the past! And the wonderful work you are doing in the present and the future!
Here is the film of the exhibition for you all to see.
The Exploratorium, San Francisco is one of the most beloved institutions in the world. It is a unique museum dedicated to curiosity, learning and critical thinking founded in 1969 by Frank Oppenheimer, brother of the father of the bomb, Robert Oppenheimer.
The museum has always had at the heart of its mission inspiring the public to question, learn and look below the surface of reality and phenomena. It does with over 640 extraordinary hands-on, interactive exhibits which are all made in the museum workshop. Often prototypes of the exhibits are put out, tried and tested on the museum's visitors. As one artist put it to me:
'You think the visitors are going to react in a certain way. But the exhibit only truly comes alive with an audience and by truly testing it out you discover what it really is.'
I have the honour to be invited as consultant by this world famous Museum of Science, Art and Human Perception, to investigate and develop their arts engagement with science. I am resident with the Exploratorium in San Francisco for 2 months as part of the research and development of this 3 month assignment.
The UK artist Emma Critchley who specialises in underwater work has been announced as the first winner of the residency programme funded by Didier et Martine Primat Foundation, initiated for Science Gallery Venice.
Emma won from an open call of nearly 150 entrants from 32 different countries.
She will begin her residency this June 2019, working with the world renowned environmental scientist, Professor Carlo Barbante, based at Ca Foscari University of Venice, the partner university of Science Gallery Venice. He is the Italian lead on the Ice Memory project which is building a library of ice core samples from glaciers to be stored in Antartica.
The jury who selected Emma comprised Pedro Gadanho, Founding Director of MAAT, Lisbon, members of the Didier et Martine Primate Foundation, Claudia Schnugg Creative Director of Science Gallery Venice and Professor Carlo Barbante and I.
Bildmuseet for the first time achieved national television coverage due to Entangle: Physics and the Artistic Imagination which I devised and curated.
The exhibition is based on my knowledge, experience and passion for the field of particle physics and contemporary art.
A catalogue based on the exhibition will be published in April 2019 by Hatje Kantz with essays by best selling physicist Carlo Rovelli, the Director of Arts Catalyst, Nicola Triscott, art historian Gavin Parkinson, and the popular science writer Phillip Ball.
I was commissioned by the Finnish artist and photographer Maija Tammi to write the text about her ground-breaking work - One of Them is A Human - for her first solo show in Berlin, Germany which opened on December 7th 2018.
One of the images in the series, Erica, won two awards at the world's largest photographic portrait prize competition hosted by the National Portrait Gallery in London in 2017, the Taylor Wessing Photographic Portrait Prize.
The mere shortlisting of the portrait as one of the finalists became a media event; The New York Times wrote: "Do androids dream about being featured in portrait competitions?" and Xinhua news in China wrote: "Portrait of android shortlisted in human portrait competition".
The rules of the competition state that the image "must have been taken by the entrant from life and with a living sitter."
Whether or not an android is a living sitter naturally depends how "alive" is defined. Welcome to a posthuman era.
My text for the solo show looks at these issues.